Based on a French melody, this multi-purpose Christmas piece includes an optional springtime text. Learn it in December, then use it again at year-end concerts or adjudications. It's a madrigal-like number featuring an optional hand drum and flute...
This merry madrigal will be a nice addition to your 3-part choir's a cappella seasonal repertoire. Characteristic counterpoint makes this original Donald Moore piece a familiar form but, unlike many Renaissance chorals, the vocal ranges, subject...
This merry madrigal will be a nice addition to your 3-part choir's a cappella seasonal repertoire. Characteristic counterpoint makes this original Donald Moore piece a familiar form but, unlike many Renaissance chorals, the vocal ranges, subject...
Here's a new work by Donald Moore in madrigal style that's appropriate for general or Christmas use. Dynamic changes create interest; repetition makes for quick learning. Perfect when you need just one more piece for your Christmas or Spring...
Here's a new work by Donald Moore in madrigal style that's appropriate for general or Christmas use. Dynamic changes create interest; repetition makes for quick learning. Perfect when you need just one more piece for your Christmas or Spring...
A "fa la la" section in this joyful number makes it appropriate for both Christmas and general use. It's a fine learning piece in the madrigal style, yet the singable melodies make the independent vocal lines easy to learn. Don Moore is a master at...
A "fa la la" section in this joyful number makes it appropriate for both Christmas and general use. It's a fine learning piece in the madrigal style, yet the singable melodies make the independent vocal lines easy to learn. Don Moore is a master at...
This has got to be one of Sally's most ingenious compositions. It's an original madrigal (with all of the solid choral harmonies, and festive fa-la-la's associated with Renaissance classics) that unfolds into the traditional chorus of The Holly and...
This has got to be one of Sally's most ingenious compositions. It's an original madrigal (with all of the solid choral harmonies, and festive fa-la-la's associated with Renaissance classics) that unfolds into the traditional chorus of The Holly and...
Greet seasonal concertgoers with this festive original sung in the madrigal style. Joyful (and mostly step wise) “fa la la” refrains are sung following each of two welcoming verses, arranged with slightly different choral colors the second time. A...
Greet seasonal concertgoers with this festive original sung in the madrigal style. Joyful (and mostly step wise) “fa la la” refrains are sung following each of two welcoming verses, arranged with slightly different choral colors the second time. A...
Greet seasonal concertgoers with this festive original sung in the madrigal style. Joyful (and mostly step wise) “fa la la” refrains are sung following each of two welcoming verses, arranged with slightly different choral colors the second time. A...
This new edition of an a cappella English madrigal is well-researched and remains true to the original, yet makes harmonic challenges particularly accessible for 3-part choirs. Enjoy major and minor keys, independent complimentary lines, and...
All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basically the same; however, Parts II and III have...
All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basically the same; however, Parts II and III have...
