19 of the 24 piano preludes of Op. 34 were transcribed for violin and piano by Dmitri Zyganov, longtime first violinist of the Beethoven String Quartet and a friend of the composer, in the 1930s. Shostakovich stated, “When I hear the...
“Carol of the Bells,” “Dance of the Sugar Plum Fairy,” “I Heard the Bells on Christmas Day” and “Jingle Bells” make up this delightful Christmas medley. A choice selection of holiday music that lends itself to the richness of string orchestra!...
The ever-popular carol “Joy to the World,” cleverly transformed into a stately march at the perfect level for your second-year players’ holiday concert! Refreshing harmonies, dove-tailed phrases and interesting countermelodies give this arrangement...
What could be more joyous than a musical visit to Disneyland? Michael Story has gathered all of the sounds of America's most beloved theme park in one exciting medley. This arrangement is packed with Disney classics including “Mickey Mouse March,”...
A colorful depiction of the sounds of New Mexico, the “Land of Enchantment!” Commissioned for the Albuquerque Youth Symphony for their performance at the 2008 National ASTA Conference, this piece combines an original theme followed by three Hispanic...
The hauntingly beautiful melody and lush voicing of the adagio followed by crisp polyphony in the allegro unite to form a welcome addition to the repertoire. Perfect for intermediate and advanced orchestras! (6:30)
DetailsPublisher:...
Lush and moving are words that best describe this expressive original from composer Lauren Keiser. Adoration is a simplified version of the first movement of Eros, a larger work that premiered in Russia and the Ukraine. It contains beautiful...
Charming tunes for celli and violas; very attractive, works very well; piano needed if no bass player.
DetailsPublisher: WILFIN MUSIC Publication Date: 5/2008Composer(s): Fin, LoretaMedium: Conductor Score & PartsPages: 66Series: Wilfin...
The famous Albinoni Adagio has been meticulously arranged for younger string groups by changing keys from G minor to E minor and adding cross cues where needed to support the violas. All the power and pathos of the original is retained in this...
